b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland. German painter. One of the great innovators in northern European painting, he turned away from the lyricism of the preceding generation of German painters. His sturdy, monumental figures give a strong impression of their physical presence, gestures are dignified and the colours strong and simple. Even scenes with several figures are strangely undramatic and static. The surface appearance of materials, especially metals and stone, is intensely observed and recorded with an almost naive precision. Powerful cast shadows help to define the spatial relationships between objects. His fresh approach to the natural world reflects that of the Netherlandish painters: the Master of Fl?malle and the van Eycks. He need not, however, have trained in the Netherlands or in Burgundy as knowledge of their style could have been gained in Basle. He remained, however, untouched by the anecdotal quality present in their art,  Related Paintings of WITZ, Konrad :. | Adoration of the Magi hfy | Annunciation r | The Miraculous Draught of Fishes | The Death of Mary | Presentation of Cardinal de Mies to the Virgin r |
Related Artists:
Vilhelm Melbye
(14 May 1824 - 6 October 1882) was a Danish marine artist, the brother of Anton Melbye and Fritz Melbye. He worked in London from 1853 to 1866 and, over the course of his career, painted seascapes, coastal and harbor scenes, sailing vessels and topographical subjects in many parts of Europe, especially in the Mediterranean region. Knud Frederik Vilhelm Hannibal Melbye was born on 14 May 1824 in Elsinore, Denmark. He first trained to become a merchant but then turned to painting, studying under his older brother Anton, already an established marine painter, and attending the Royal Danish Academy of Fine Arts from 1844 to 1847. He also took private classes in perspective drawing with Carl Dahl. In 1847, he went on his first journey, to Iceland aboard the corvette Valkyrien, and the following year he traveled to Paris by way of Desseldorf. In Paris he studied with Theodore Gudin (1802 - 1880) before returning to Denmark in 1849. From 1853 to 1866, he lived in London and it was here he changed his name from Vilhelm to Wilhelm. He was appointed Professor at the academy in Copenhagen in 1880 but died in 1882 in Roskilde. He is interred at Assistens Cemetery in Copenhagen.
Fernand cormon
French Academic Painter, 1845-1924 French painter. He studied initially in Brussels under Jean-Fran?ois Portaels. In 1863 he returned to Paris, where for three years he was a pupil of Alexandre Cabanel and Eug?ne Fromentin. He made his d?but at the Salon in 1868 and in 1870 received a medal for the Marriage of the Niebelungen (1870; ex-Mus. B.-A., Lisieux, 1970). His painting the Death of King Ravana (1875; Toulouse, Mus. Augustins), taken from the Indian epic poem the Ramayana, was criticized for the choice of an obscure subject but was nevertheless awarded the Prix de Salon in 1875. Soon afterwards Cormon left France for Tunisia. After his return in 1877 he exhibited regularly at the Salon until his death, establishing a reputation as a painter of historical and religious subjects; he also produced some portraits.
PIETERSZ, Pieter
Dutch painter (b. 1540, Antwerpen, d. 1603, Amsterdam)